"The Body Touched by Evil": Interdiction and Transgression in Salvar o fogo, by Itamar Vieira Junior
Save the fire; Transgression; Forbidden; Contemporary Brazilian Novel; Evil.
This dissertation analyzes the work Salvar o fogo (2023), by Itamar Vieira Junior, from a Bataillean and decolonial perspective, aiming to focus on the narrative through the lens of evil, violence, and the sacred. The study begins with a contextualization of the origin of prohibitions and transgressions, central concepts in Georges Bataille (2021), and explores their tension within a context where the oppressions of coloniality persist. In the narrative in question, the experience and presence of Evil are related to the process of character development, especially regarding the aesthetic and social construction of the protagonists. Methodologically, a bibliographic study was adopted, drawing on the concepts of authors such as Quijano (2005; 2009) and Maldonado-Torres (2018) concerning coloniality; Adding to this are the contributions of Gonzalez (1984), Spivak (2010), and Lugones (2020), who assist in addressing the issue of women in the colonial process; Fanon (2008), Simas and Rufino (2020), Nogueira (2021), and Bento (2022) on the implications of colonization on the lives of individuals and society; and Antonio Candido (2014) regarding the relationship between work and society present in Itamar Vieira Junior's Trilogy of the Earth. The analysis demonstrates that transgression functions, in the novel, as a decolonial tool. Thus, Moisés and Luzia initiate a necessary process to break with the oppressions present in the narrative and in our society, which begins with the verification of facts and the recovery of history that is persistently erased and ignored.