FROM NAIVETY TO THE FLOW OF THE REVERSE: THE POETIC DISCOVERY OF MÁRCIA DIAS IN "THE (UN)ADJUSTMENTS OF THE WORD"
Literature; lyric; female authorship; memory.
This work aims to analyze the work entitled Os (des)ajustes da Palavra, published in 2019 by the poet Márcia Dias. In this sense, by observing some elements that stand out in her language, we identify subjectivity and the construction of the modern female subject. In view of these aspects, we will present a certain temporal linearity of how the work becomes an expression of the growth and development of a lyrical self that oscillates between the coming and going of childhood to the creation of an imagistic maturity. In order to do this, we draw on concepts that promote a brief reflection, based on the considerations of Harold Bloom (1995) and Roberto Reis (1992) on the literary canon, the theoretical conceptions of Hugo Friedrich (1991) and Octávio Paz (1984), as well as the contributions of Maurice Merleau-Ponty (2011) and Gaston Bachelard (2009) on memory in the act of perception and reverie. And Georges Bataille's theoretical contribution on expressions of sensuality, lightness and feminine desires. The aim is to highlight the value and importance of female authorship, specifically in Rondônia.