A EXPRESSÃO DO MITO E DA VOZ FEMININA: O DIÁLOGO INTRAPOÉTICO ENTRE LUCILA NOGUEIRA E TERÊZA TENÓRIO NA LÍRICA CONTEMPORÂNEA BRASILEIRA DA GERAÇÃO 65 DE PERNAMBUCO
Keywords: Contemporary poetry by female authors; Lucila Nogueira; Terêza Tenório; Intrapoetic Relations; Myth.
ABSTRACT
This research analyzes the intrapoetic relationship between Lucila Nogueira and Terêza Tenório, emphasizing the re-signification of myth and the feminine lyricism present in their poetic productions. The study was guided by the following questions: In what way do the dialogues between the poetry of Lucila Nogueira and Terêza Tenório, mediated by the appropriation and re-signification of myth, configure a unique aspect of feminine lyricism in contemporary Brazilian poetry of the 1965 Generation? How do the strategies of updating myth in Lucila Nogueira and Terêza Tenório operate in the construction of a feminine lyrical subject that breaks with traditional canons? This research is primarily justified by the need to fill a gap in Brazilian historiography and literary criticism, which historically neglects the female poetic production originating from the North, Northeast, and Central-West regions in favor of the South-Southeast axis. By focusing on the intrapoetic dialogue between Lucila Nogueira and Terêza Tenório, this work seeks not only to decentralize the canon, but also to analyze how these authors articulate myth and feminine lyricism as aesthetic strategies of subjectivation and resistance. In this way, the thesis offers a critical reading of the power of these voices, highlighting how the reworking of mythical archetypes, combined with the singularity of feminine lyricism, becomes a fundamental tool for configuring a poetic identity that transcends regional boundaries and demands a re-evaluation of the paradigms of contemporary poetry. The research, of a bibliographical type, with a qualitative approach, will be carried out using the analytical method. The analyses will be based on the studies of: Eliade (1972); T. S. Eliot (1989); Cassirer (1992); Barthes (2001); Bloom (2002); Croce (1969); Candido (2006); Woolf (2014); Zolin (2009); Del Priore (2020); Benjamin (2013); Frye (2014) and others. The results demonstrate a relationship between the poetic work of Lucila Nogueira and that of Terêza Tenório. The use of myth promotes an aesthetic, theoretical, and critical deepening, which contributes to the formation of a unique poetry, in which creative practice and reflection on women's writing itself merge.